PRINCE RUPERT'S TOTEM POLES Part 1
The Skung Gwaii (Ninstints) Poles

Brought from this abandoned Haida village on the extreme southern end of Haida Gwaii to Rupert in the late 1930s (some sources say 1935, other 1938), the four Ninstints poles are now dispersed around town.
Separated from each other in space, they have also diverged in style as later carvers have re-interpreted the original poles (Composite on right is same pole). Below is a 1901 Newcombe photo of the south end of Skung Gwaii in which all 4 Ninstints poles are visible.

Given these spectacular carvings, Ninstints attracted
attention first by scavengers then by serious anthropologists. By
1957 detailed studies were being made, and in 1981 Ninstints
became a World
Heritage site. Here is a map showing where our poles were
originally placed
Prince Rupert is honoured by the presence of these four poles
among us.
"Holiest of Holy Places" Not being an artist nor an art critic what follows is a layman's appreciation and comments upon what George MacDonald of the Museum of Civilization called one of Canada's "holiest of holy places". My excuse for such brashness is the hope others too may see and respect these achievements from another era. Because what is before us in Prince Rupert has already been "made-over" at least twice. The Anget pole (Images left and right) in Newcombe's
1901 photograph was already beakless. Rupert's poles illustrate changes in perceptions about
First Nations. The Anget pole reflects era 1920 to 1960s.
The earlier restoration work relied upon paint to
preserve "pre-historic" totems. |
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House 13's totem at Hospital
lookout does not equal the original pole. While Jeffrey
was only looking at a restored pole over 100 years old,
we have the advantage of today's media resources. The
Jeffrey reproduction's paint merely trivializes the
sculpture details especially the face on Beaver's tail
and the "mouse" face w 3 skil potlatch hat
above the cormorant figure. |
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Common Themes And Narratives Rupert's four Ninstints poles are closely related
conceptually as well as by clan. The sequence of figures
is Eagle- Cormorant- X (varies)-and Grizzly at the base. In three of the four poles Grizzly is devouring something (human, seal) which again seems to refer back to the narrative of the intermediary faces. House 16 (= Civic Centre) is the exception where Grizzly only holds frog, presumable commenting on Bear Mother and supernatural Cubs above. |
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Other Ninstints Reproductions
At the UBC Anthropology Museum there is a Bill Reid reproduction of House 12's pole. Judging by the size of the house this was a very important household, perhaps the chief on the north end of Ninstints. Interestingly this elaborate pole is one of the few in the village that does not have an Eagle on top
Instead there is Cormorant. And there are only three large
figure: Cormorant, Bear Mother and Grizzly.
A quick look at the other end of Ninstints shows mostly Eagles
with only one Cormorant.
Note too Reid's interpretation. It is much more "classical" than Jeffrey poles, by the major proponent of that style's revival. But even Reid leaves his stamp on the original design. The black circular eyes are not in the original -- see figure on left.
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